I put this book on hold at the library because I read a review that said it was weird and that there was nothing quite like it out there. I’m looking for comparable titles for my own book, so I thought this might fit. It doesn’t, not quite, but it was an amazing read. So amazing that I’d like to buy a copy just to have on hand.
The story starts out normal enough. A person named Carolyn is walking down the road, covered in blood and barefoot. She had just murdered someone but wasn’t ruffled at all. Very quickly, the reader learns that she’s something called a librarian but didn’t start out as one, and that she had vague memories of being American.
Information is doled out in little packets. We learn that her cul-de-sac was hit by something when she was young, the neighbourhood children survived, and became librarians with specialties known as ‘catalogues’. Her catalogue was languages; past, present, imaginary, and real.
The author weaves in dimensional realities in a way that felt natural and, well, right. Not once did I feel lost, not once did I have to go back and reread something to confirm information. I was instantly engrossed in the story of Carolyn and her quest to search for Father, the entity that trains the children on their catalogues. He’s missing, and Carolyn and her siblings cannot access the library to search for him.
Carolyn does more than search for Father. She sets up a series of events so she may murder Father and take over his reign. I was absolutely thrilled that she wasn’t thwarted at all, that she did succeed, that her brothers and sisters were eradicated in this process. It’s a bit of a pet peeve of mine, to read how the protagonist is constantly having to alter the plan and change tactics because of a worthy adversary. Some stories suit this well, but this one had enough going for it that constant threats to her plan would’ve been tiresome. I know that I just gave away the ending, but really, the book is worth reading page by page simply for the experience of existing in this universe.
The author also ensured the reader never forgot the fantastical nature of the world. Carolyn and her siblings never quite dressed according to social norms, their conversational skills were lacking but adequate, and their explanations of events showed how different their world was compared to our world. Really excellent anchoring from the author.
The narrative flow was so excellent, so engrossing for me, that I searched to see if the author has written anything else. Why yes, yes there are other works. Except they’re technical manuals for Linux and whatnot.
Like I said above, the story was revealed in perfect sized bits, and arranged in a manner that made the novel easy to read and follow. I very much want to take each scene apart and reconstruct the book in linear form, but only so I can understand it better and apply it to my own work. The author’s voice makes me want to be a better writer, to make other people read my stuff and feel as electrified and energized as I do from reading this book.
I seriously considered writing fan fiction of this, simply to keep myself engrossed in the world for a little bit longer. I may still do so, but when I have enough energy to focus on more than one thing at a time.
If you’re looking for something different but still realistic enough to keep you grounded, for something so well written that guessing the next step is nigh impossible, read this book. I will be recommending it to everyone whose queries even vaguely apply.
I put this book on hold without reading a synopsis because I’d read the author’s work before and enjoyed the narrative flow. While not disappointed, I was surprised by the subject matter. This tale takes place during the 1918 Spanish Flu. So I read a book involving a pandemic while living in a pandemic. Again.
On the surface, this book is about a woman, Nurse Julie Power, who cares for pregnant women in a makeshift ward in an overflowing hospital in Dublin, Ireland. But it’s also a love story, one that unfolds in teeny tiny bits.
Julie doesn’t fall for a handsome doctor or anything, but instead she falls unknowingly in love with a helper girl named Bridie. Julie isn’t aware of how she feels, exactly, but is aware that at thirty she should be married and popping out children of her own. This is the way. Or was the way, back in the day.
The author does, rather brilliantly, give the reader an unflinching gaze at birthing babies at a time where the process left women scarred or dead. Those that survived would keep on having babies because birth control was rather frowned upon back then.
Also, the author paints a vivid picture for the setting. I could feel the drafty little room, smell the stink of the air, and feel the pang of hunger alongside the characters.
No men were featured. There were a couple that had bit appearances, but barely any speaking lines. What a delight! I’m so accustomed to books chock full of men that, for a while, I was overjoyed when a woman had more page time than a man. Books are better now, yes, absolutely, and I love the trend. After all, we aren’t all white men so why should we read stories about white men? That’s enough politics for one post. Let’s move on.
Not once did I feel like I was taken out of the story. The author managed to keep me firmly anchored in Dublin, in the chill of the room, in the dark of the streets at night. This is part of the reason I blew through this book in a couple of days. The main reason is because of the author’s writing style. As I said above, I love it.
My only complaint is that there aren’t any quotation marks around the dialogue. This makes it hard to read for me, as I’m not always sure someone is speaking or just thinking. But the more I fell into the world the more I was able to gloss over it as a minor pebble in an otherwise smooth road.
I would absolutely recommend this book as an immersive read into a topic that causes many to flinch. Especially now, amid our own overflowing hospitals. Stay safe everyone.
This book is little, like only 116 pages of big text and wide margins. The words are unjustified (rag right) which looks somewhat amateurish. I don’t know why the author would’ve chosen this, except as a stylistic choice to make the book resemble a manuscript typed on an electric typewriter from the 80’s. Oh, and it’s written in Hemingway style, which forced me to focus on every word. I read the entire thing in one sitting. When I was done, I didn’t quite know what to think.
The characters didn’t seem to be engaging with each other, only existing as separate entities in the same space. The dialogue was jarring and unnatural, the setting barely filled in, and the apocalypse is only vaguely there.
The story felt empty, like there was so much to work with and the author decided to give the reader the barest of bones. There’s an idea of an apocalypse in that a plane (with two of the characters in it) lands suddenly, and a TV (with three other characters watching) goes dark. There’s talk of what happened – no internet, phone, lights, or data – but scantly. I felt like this book was the prologue to a much larger story.
After reading I hopped over to Goodreads to see what others had to say about it, as I felt like I missed something. Boy, did I ever miss stuff.
One review rivaled the book’s length in words. I skimmed through it and realized this person had a much better understanding of the work. Perhaps if I was a literary major, or had any education past high school, I’d’ve found the same references and deeper meanings to the sentences/phrases as the reviewer. As it was, I didn’t. Instead I realized that this book is aimed toward someone who could recognize all the nuances, indulge in them, and contemplate their importance to the world at large. So, not me.
Wow, it’s been a while since I read anything. I participated in NaNoWriMo and finished (yay me!), but my brain felt like it was melting so I took some time off from reading and writing and indulged in the plethora of movies I had queued up and ready to go.
Just as I started to feel like my brain was ready to absorb the written word again, the library informed me of some books on hold. I picked them up just before my city went into another lockdown phase, so, good timing all around. Normally I’d go through the categories I set up for myself and write up a blurb for each one. Not this time. Oh nay nay. I’m just too overwhelmed with life stuff to adhere to such strict guidelines. Instead, I’m simply going to babble like I know what I’m talking about. You know, trade in ‘perfect’ for ‘done’. More of a blurb review than an itty bitty one.
Side note: how the hell am I going to run an author’s website if I can’t even review books on a regular basis? That’s a topic for another day. For now, let’s jump in…
This book is labelled ‘science fiction’, which is probably the reason I wanted to read it. But there wasn’t much scifi to be found. If I squint really hard I can see the apocalyptic future as the reason for the genre, but that’s it.
The premise is that winter never left. There’s no indication of Those In Authority discussing the problem or attempting to find a solution. I would’ve thought the reader would be informed of why winter never left, what did humans do? Or was it an external force? We never find out, which turns out to be okay. The story isn’t about how it got cold, but how Wilodyne (Wil) manages in this new environment.
Wil lives in the Appalachian mountains and grows cannabis in a farmhouse. Her mom latched onto a grower who taught Wil everything, and it turns out Wil is exceptional at the task. She has no idea what caused the cold and seems out of the loop in regards to information. In the day and age of cellphones this had to be explained away. The author did so by saying there wasn’t much service on the farmland so Wil remained unaware of how bad things were getting. Her mom and stepdad leave for California before the book begins, Wil elected to stay behind and tend the cannabis crop.
The cold is like a second, but main, character of the book. It’s ever-present and a constant, gentle reminder throughout the novel. I could feel the cold leeching through the pages and settling into my bones as I read the words. My fingers ached as if I’d been outside shovelling or scraping my car. Excellent work by the author, keeping the theme of cold consistent and never allowing the reader to glance away from it.
The story is about how Wil decides, rather abruptly, to leave the farm and seek out her mom and stepdad in California. She hitches her tiny mobile home to the back of a truck and sets off. By this point she’s already got one tagalong, Grayson, who helps her out a bit. They pick up a couple more people and encounter a few camps, all while the reader learns that Wil might be gay and believes that men frequently pose a threat of some kind.
Overall I enjoyed the book, but it ends open and that bugged me a bit. Wil is headed for California and ends up in a greenhouse – one that’s functioning – somewhere not too far from where she started. It appears to be a nice oasis, finally: a warm and functioning greenhouse, but we don’t get to meet the people running it because the damn book ends. I suppose it can be inferred that Wil flourishes here, as she’s a grower, and will make a suitable home in the snow.
Well, that’s it. Not a bad book, not a great one either. The cold feeling will stay with me for a while, but that might be because of the snow outside my window.
I tried to read two books before Quarantine and had to put them both down. One because it was labelled as ‘hard science fiction’ but was actually ‘slavefic barely removed from the fan fiction universe with the tiniest hint of science fiction’. It featured a drug that made people acquiescent and I wanted to know more about the development of it and what made the drug necessary in the world. Instead the book revolved around the romance of two people, one who bought the other. Yeah, bought. Not a good concept in today’s social climate.
The other book was one I’d been looking forward to because I enjoyed the author’s first book. But it featured a pandemic. While the subject wasn’t a problem for me, I couldn’t get past how the characters continued shaking hands. I mean, the book was written before covid entered our lives, and the handshaking is a minor point, but it bugged me enough to close the book.
So when I was notified that the library had Quarantine ready for me, I jumped on it. I’d put it on hold after stumbling over recommendation after recommendation to read it, so I was wondering what all the fuss was about. Plus, it features quantum physics which is a topic I’ve been looking to read.
There are a lot of complex ideas in the book, complex enough for me to have a hard time grasping them. The author presented the information well, I just think my brain filled up too quickly and felt stuffed early on. Nevertheless, I persevered.
To Start: The starting concept of the book is a near-future detective hired to solve a locked room mystery. By the middle, the story evolves into dealing with collapsing the quantum wave into one single reality. The learning curve felt steep but manageable.
The book was written in 1992, so before the Internet. This is usually a big red flag for me because technology has changed so much since then and become integral to daily lives. Most fiction doesn’t represent the near future well as it’s remarkably hard to predict. This one though, this one did a good job on showing what life would be like with mods installed in the brain. Nowadays that mod would include a connection to the Internet, but in this book the mods are nanomachines and I believe information is kept on ROMs. Oh my.
While it’s only 220 pages, it packs a wallop.
The Gloss: The cover image is a representation of the double slit experiment. In this image, the slits are the words of the title and the white is the wave pattern of unobserved particles. Excellent representation of the book.
The font was slightly squared and easy to read. Nice for my eyes.
The Characters: One main character: Nick Stavrianos, a private investigator or detective. He’s well rounded and likable. He talks to his dead wife a lot, in the form of a hallucination/hologram created by a mod in his brain. This image of her is realistic to him, but also a bit of an embarrassment that he’d even have that mod. He’s a logical thinker and pretty much accepts whatever life throws at him.
The rest of the cast was diverse enough for me to be pleased, considering it was written almost thirty years ago. None of the other characters had much of an arc, but that’s okay. The book is written in first person so I only expected to be able to follow one character’s arc.
Nick falls apart, slowly and surely, as the book progresses. He is someone who’s in control of his life and the discovery he makes about a company named The Ensemble (who he ends up working for, pretty much against his will) causes his mind to collapse in on itself. It’s subtle, how he goes from confident to questioning.
The Plot: Nick is hired to find a woman, Laura, with severe mental disabilities. She’s escaped from a locked ward at a psychiatric facility. In his investigation he shows up on the radar of the people studying her, and they ‘recruit’ him to work for them. In this world he’s drugged and wakes up with a new mod: loyalty. Because of this mod he works for The Ensemble without question. He ends up unravelling a much bigger mystery of how The Ensemble was using Laura’s disability to learn to exist without collapsing the quantum wave.
The Story: As indicated above, Nick gradually loses his mind. He begins as a fairly normal guy who’s good at his job and doesn’t question the world around him too much. During his investigation he’s recruited to join The Ensemble and is guarding someone who’s using a mod to choose the direction of silver atoms. This person is testing the mod to eventually be able to exist without collapsing the quantum wave. Steep learning curve here.
Nick’s mods falter and he learns he can ‘borrow’ her mind to move through reality without collapsing the wave, thereby ensuring that out of the millions of possible outcomes for any scenario, he will always have the most desired one. This is tested by him performing increasingly difficult tasks – like breaking into a building across town – as his confidence wavers. He ends up questioning everything and unable to simply accept the world at face value.
I believe Nick is also part of the testing program, not just a bodyguard. His mods interact with the person he’s guarding, and The Ensemble put mods in his head, so it’s likely that he’s a volunteer participant in this study as well. Although he’s told he’s just a bodyguard and he believes that.
A background story item is The Bubble. Thirty years prior, this Bubble surrounded the solar system and blocked out the stars. No reason was given for this Bubble, but late in the book it’s revealed as a parallel to the wave function collapse storyline. Somehow, aliens knew humans were collapsing the wave and so our solar system was sectioned off from the rest of the galaxy.
The World: The worldbuilding was wonderfully integrated into the story. The reader is immediately alerted to the mods (which are helpfully bolded) and their basic function. Nick explains the mods to the reader in a way that’s natural. Kudos to the author on that one.
In addition, nanomachines are mentioned as something commonplace. These machines assist the mods in mapping the brain for compatibility, which makes sense, and also regulate the body’s needs, like suppressing hunger and whatnot. This is logical.
One aspect I enjoyed was how Nick thought of his mods. He understood he had a loyalty mod which made him loyal to The Ensemble, and he knew this thinking was out of line for a person without the mod. Just like the sentinel mod made him able to sit for hours and remain alert without getting bored. He knew his thinking was altered, and that knowledge made it easier for him to accept his behaviour.
Excellent bit of worldbuilding there, the idea that the mods work with the brain’s systems, not to change anything, but to enhance specific areas to produce the desired result. Need to be on a stakeout? This mod will allow you to remain alert without ever getting bored or hungry. Nick was a cop and “primed” by priming mods that made him less human but more capable of reacting unemotionally to any situation as it rose. Sudden bomb going off? Primed mods directed Nick’s behaviour to survive and assess the situation calmly.
Nitpicks: The conclusions Nick drew were accurate, but not probable. I’ve read many mysteries and although I know that books are contrived because they have to be, Nick’s conclusions felt too pat, too easy for them to be correct, and yet they were correct. Minor point, I know. The book was about collapsing the wave function and the mystery part was the secondary aspect, but it still bugged me.
Overall: Holy cats I enjoyed this book. It was hard and rewarding. I think I’d need to reread it to fully understand some of the quantum stuff presented, but I still understood enough of what was written to enjoy the story. Although perhaps not enough to be able to give a coherent review about some of the more difficult ideas.
The author’s writing style was easy for me to read and the info dumps were acceptable. Luckily, those dumps were short and compact, which helped.
The book held up well considering it’s thirty years old. I don’t have much faith in older books when viewed in today’s light, but this one passed easily.
I think I need to buy this book so I have a copy of my own. Maybe read it again when my brain feels less full.
When I put this book on hold, I had no idea I’d be reading it in the midst of a pandemic. By the time I picked it up from the library I’d forgotten what it was about or that there was a quarantine happening inside the pages. Pretty coincidental and really good timing for the author.
Any story about uploading consciousness interests me, so this was a delight to find. An extra delight was enjoying the author’s language and storytelling.
To Start: This is a character-driven book, which I adore. The science fiction part of uploaded consciousness was integral to the story and plot, but the mechanics of how it’s done isn’t the focus at all. Instead the story is told through eight characters’ experiences in dealing with companions or, in some cases, becoming or being a companion, all with a pandemic as a backdrop.
The Gloss: This is a little book at just over 250 pages. A nice, quick read as well.
The cover has an interesting pattern on it. I’m not sure if the swirls are supposed to represent partial fingerprints, glue lines (like under linoleum), or soap smears, but it’s kinda interesting. The lettering clears the smears away to reveal bits of a person. This imagery is interesting because companions are uploaded consciousnesses, so the cover could easily represent how companions are only a bit human, or that we’re given only a glimpse of their humanity.
The font was big enough for my eyes to read, which was pleasing but otherwise unremarkable. The copy I read is from the library and it was neither easy nor difficult to hold.
The Characters: There are eight. Some have a bigger part to play, some are mere glimpses into another point of view. Each character felt well developed and fully rounded, so major kudos to the author there. Diverse cast as well, also excellent.
LILAC is the main character. She’s one of the first to be uploaded and starts out in a ‘can’ and upgrades to a skinjob. The main plot line is hers. CAM works in an elder care facility when we meet her. ROLLY is a teenager who cares for his five-year-old brother and works on his dad’s failing farm. Because the farm is failing, the dad earns money by deactivating and incinerating/crushing discarded companions. JAKOB is an actor who didn’t know his consciousness had been uploaded, or that a double/copy had been made of him. GABE is a nine year old orphan when we meet her. Gender felt fluid with this character in the beginning. Established as female later on. RACHEL is a companion that was once an elder in the care facility Cam worked in. Also, she was a friend of Lilac’s when they were teens. KIT is Diana’s consciousness uploaded. Diana is a doctor who worked on the code to create companions. We get a pov from Kit but not Diana, which was interesting. MS. ESPERA is a wealthy woman who’s debating about whether or not to upload. She chooses to and becomes a nanny for another wealthy woman.
The Plot: This book had a simple plot: Lilac wants to find out who murdered her. The book opens with Dahlia asking Lilac to tell her “the story” and as Lilac does so, the reader learns how she died. Lilac learns she can disobey her programming and after attempting to suffocate Dahlia’s mother, Lilac gets into an elevator and escapes. She uses the bit of information provided by Dahlia to go on a search to find one of her friends from the night of her death.
The Story: The story was more about how companions evolve over the span of the book. Lilac starts out in a ‘can’, which seems to be a tube on tread wheels with pincer grips for hands, to a ‘skinjob’ which can look remarkably human. The reader learns that companions are leased by family members but ultimately owned by a company called Metis. Once Metis learns of Lilac’s disobedience, the recall is inevitable. Many companions try to live out their lives anyway because after all, they were human before they were companions.
A pandemic is in the background, brought up lightly in bits where masks are mentioned or how life was before quarantine. The question of how the virus came to be is addressed and solved, which was nice, and that plot point didn’t have too much attention put on it, which was also nice.
The story intertwines all eight characters. They all meet at some point, but forgive me please for not remembering if each and every one meets all the others.
The World: The story is set in our near future so technology and whatnot remains the same, except for the ability to upload a consciousness into a computer/robot of some kind.
The author did an excellent job in demonstrating how we’d treat companions and how human consciousness would feel when injected with programming. It’s a hard thing to admit, but people would mistreat robots, even uploaded consciousnesses, because we don’t see them as people or of equal value. They don’t need food or rest and can be programmed to do any distasteful job, so yeah, we’d treat them poorly.
The author also addresses the changes that would take place in a consciousness. Would the person be the same before and after uploading? Mostly, but not completely. Any programming would alter how the consciousness perceives itself and the tasks assigned. I mean, some of the companions were used for sex (although this is never explicitly described) and remember, that companion was a human once, a real person, not just a computer simulation or approximation of a person.
This relates directly to ownership. All companions are owned by the company Metis and leased to whomever has the money. These were real people once, who are now in android bodies and owned by someone. This was absolutely believable to me. Horrid, but believable that we, as humans, would do this.
Gender was also touched on in the story when a companion is put into a body of opposite sex. This concept marvelously demonstrates how people aren’t just the body they occupy, but the attitudes and beliefs of the mind. Being able to hop into a different body would be fantastic. To be able to decide how you want to present yourself would be awesome.
Another aspect of the world was the pandemic that had occurred. The specifics were never discussed, nor the difficulties of transitioning into quarantine for the first time. But it was a huge part of the setting of the story. I liked this as it didn’t overshadow the characters, just gave rules for them to live by.
Nitpicks: Eight characters was hard to follow sometimes, especially because I read the book in small chunks when I had time. Once or twice I had to flip back to the last chapter with that character to remind myself of who they were. This also made the last quarter of the book a bit confusing and that part felt a bit rushed.
Overall: I enjoyed the book very much. I love reading about people’s lives and how they react to their environment/circumstances and this novel provided that for me. Each character was interesting enough and I never felt any drudgery when entering a chapter with a new perspective.
I especially loved how the reader received some insight into a character before and after uploading, but not so much that it bogged the story down.
I’d recommend this book to people that want gentle, character-driven science fiction.
I’ve been looking for books featuring non-humans because I’m writing a novel from an alien species’ perspective and so much writing advice is ‘read your genre’. Xenofiction is a limited genre and while there is some out there it’s hard to find much written after 2000. I really dislike reading science fiction written before then both because of the huge technological changes that have taken place and because I’m really tired of reading books featuring mostly men.
Having said that, The Last Human is written primarily from the human’s pov. There are aliens in it, and we do get to see things from their perspective, so it counts as xenofiction. If any readers find any other current xenofiction, please let me know so I can give it a read.
To Start: This book made my brain feel good. Every loose end was neatly tied up and I felt like there was nothing missing in the story. I didn’t feel like there were extra words here and there cluttering up the pages, and I enjoyed the syntax very much. I’d read something by this author again purely because of that last point.
The Gloss: I like this cover. A human right at the center in a caution symbol and surrounded by many different types of aliens. The title font reminded me of old-timey futuristic font, back when people thought our future had hope.*
The font inside was nice and easy to read. A note at the back of the book said this is in Sabon typeface. I love when books have that little paragraph at the back about the font. No idea why I like it, but I do.
Rather than the page headers be on top, they appeared on the outside edge of each page. Interesting. It helped give the book an odd feel which suited the alien parts nicely.
The copy I read is a library copy and newish, so the pages were unmarred, nice to feel, crisp edges, and good glue.
The Characters: The main character is Sarya the Daughter, a human. Her arc is good. She starts as a human that has to hide her identity to being a human that has the courage to face whatever comes next in her life.
Sarya the Daughter makes some alien friends in her journey, and those are fairly distinguishable from each other. I never confused any of them or had any difficulty in knowing who was speaking.
All of the service drones had some intelligence, like they were AIs. They reminded me of dogs: happy to work, pleased to be assisting higher intelligence entities, and loyal/faithful. I don’t know if the author intended to give that impression or not, but I loved it. They also had some sass and that was fantastic to read.
The Plot: It was easy to follow. Sarya the Daughter starts off wondering what bleak future she has because she’s registered as Spaal, a lower intelligence species, and can’t ever let anyone know she’s human. Because of her lower tier, job opportunities are few and far between. But then someone called Observer tells her they know she’s human and asks if she’d like to meet more humans. Why yes, of course she would. This starts her tumbling off on a wild adventure to save, or destroy, the universe. Or several universes. The whole story gets really big but easy to follow.
The Story: While saving the galaxy/known existence is the plot, the story is more about Sarya learning what she can do as a human and how her actions impact galaxies as a whole.
Overall, this works. There were a few parts that felt like they dragged. The books starts with the immediate questions of why humans are hidden and why she’s the last one. These are both answered very nicely.
The author did a great job in wrapping the story up. The last chapter had a bit of review, which was nice, but not too obviously A Review Of Events. It helped remind me of how far Sarya had come and how much confidence she’d gained.
In between some chapters we had a bit of information disguised as a “Welcome to the Network” manual. This also worked well to supply a bunch of exposition to the reader without feeling like an info dump.
Also, there’s a fair portion of the book taken up by Sarya’s adopted mother’s memories. They help provide some context about what’s going on and the reader gets to see a human through an alien’s perspective.
The World: Very well developed. Beautifully done.
The author didn’t go to great lengths to explain everything, but did manage to indicate that living spaces were engineered for the widest possible array of species. This included food, water, and atmospheric conditions.
Everyone was connected via the Network, an implant in your brain. Sarya didn’t have an implant because the surgery would’ve revealed her human status. Instead she had a bulky prosthetic which was changed early on to a necklace and earbuds. The Network enabled telepathy, including emoticons, even with maintenance drones. Every entity also had a Helper assigned to them, which would be like if you had a constant companion in your head that can offer information, research, advice, or even just a sounding board. This was cool, especially since Sarya learned how to manipulate hers to provide information on humans by saying she had a friend who wanted stories about them.
Sarya’s manipulation of drones and her Helper was a bit of foreshadowing about how a much higher tier intelligence manipulated several other species, and Sarya, to end up at a specific juncture.
Tiered intelligence? Why yes. Every species is rated by intelligence level with drones being the lowest. There are five tiers of intelligence in the book, and Sarya meets someone in each tier. The author manages to explain higher intelligence well and without much confusion, and how small an individual human can be in relation to the galaxy, but also how pivotal that same human is to the galaxy.
I loved how there was no war, no fighting between species. As it’s pointed out late in the book: the universe is vast and empty so when you find others, you get along instead of destroy. Unless you’re human, of course.
Nitpicks: I don’t have any. Huh. Weird for me.
Overall: Tightly written with no extraneous information. It’s like every word was selected with care so as not to have too much additional filler. I’ll edit some books as I read them, this was not the case here. Very well done.
All plot points made sense, although some felt contrived…but aren’t all books contrived to some degree? But really, having Sarya’s home destroyed made it so she couldn’t return and had to carry on. This was good, but a bit convenient. Just like Sarya having no Network implant felt a bit convenient, but it made sense. Also, Sarya could download her adoptive mother’s memories, which was cool, but also a convenient way of adding a bunch of exposition and explanation.
I really enjoyed how the author pulls the reader from the mind of one lowly human all the way up to an entity in charge of the universe, and then back down to one human mind. That’s quite an accomplishment.
Would I read this again? Probably not, but that’s not unusual. I’d recommend it to anyone who enjoys character based stories with battling forces in the background.
*has anyone else noticed that back in the 1950’s the future was represented as hopeful, innovative, and interesting? Now, our future is represented with dystopia, desolation, overlord monitoring, and lack of privacy.
This book confused me at first. I saw it in the bookstore and thought, “hasn’t Michael Crichton passed?” The answer is yes, yes he did. So why is his name taking up the top third of the book? An eye-grabber no doubt. Effective too, dammit.
I was vaguely aware that he wrote The Andromeda Strain some fifty years ago but I’ve never read the book. I have, however, read many others by him and enjoyed every one. I’ve also read a couple of books from Daniel H. Wilson so I thought I had an idea of what to expect.
Because I was confused about who wrote this book and why two authors would have their names on the cover, I flipped through it while waiting in line at the bookstore. An afterword by someone named Sherri Crichton shed some light. Apparently, to paraphrase a bit, SC collaborated on this book with DHW and was excited to have MC’s world spotlit for new readers.
So, the collaborator’s name didn’t appear on the cover, but the deceased person who created the world took up the top third. Okay. I mean, I feel like that’s a bit unfair, but okay. This made me believe the book is basically fan fiction that I paid for instead of reading it for free on AO3.
Let’s jump in.
The Gloss: I bought the trade paperback size which was nice. Not too big and not too small. I really enjoy reading books in this format, so it was a delight to hold.
It has the same rubberized texture that I’m starting to see is common now. The red lettering stands out nicely on the black cover, but the silver lettering of the title blended into the background too much. It’s almost like the publisher wanted to catch people’s eye with the author name rather than the title.
There’s a hexagonal pattern evident as well, this relates nicely to the story and is effective in giving a pleasing, simplistic cover design. The Moon for an ‘o’ in ‘Andromeda’ is a nice touch, but irrelevant. The International Space Station would have been a better choice, but it doesn’t look like an ‘o’.
The pages were a nice off-white and thick enough that the print didn’t bleed through to the flip side. The font was nice too, but unremarkable. Good glue as well, giving a nice relaxed and light feel to the book.
The Characters: There were many. I won’t name them all because I don’t remember them all. The team dealing with the Andromeda strain/evolution was five. Diverse cast, something I’m interested in reading as not everyone has skin the colour of mayonnaise.
None of the characters stood out though. I don’t recall any character development and I couldn’t tell them apart in their dialogue or actions. Considering I read books for characters, this was not good.
The Plot: It was weak. Basically, the microbe was discovered by a team whose purpose it was to look for it. Once found, Project Wildfire was activated, a diverse team sent out to….eradicate it? Battle it? Study it? I’m not really sure. Twist was that the International Space Station was involved, specifically one person who spent her lifetime preparing for just this moment. There’s potential for a lot of action or tension, but the book lacked both for me.
The Story: In a nutshell, the story was about humans fighting against each other, both sides believing their view is The Right One, with an alien microbe as the false antagonist.
For most of the book, the story was about Project Wildfire’s mission to get to the microbe. Almost all of it was unremarkable. Some of the team died. They were warned off but continued. They arrived. The team discovers the microbe, which is growing out of the earth as a giant protrusion. It’s part of a power station and is evolving into a space elevator. The International Space Station would be the weight at the end of the elevator. There’s a battle between the ISS inhabitant and the remaining members of Project Wildfire. Now that part was reasonably interesting and, in my opinion, could have been expanded a great deal, but it was in the last bit of the book.
The format of the story is reconstructed/recovered footage. Sometimes this can work. It didn’t here. I knew humanity as a whole survived because someone assembled all the data for the reader to view. This removed the threat of the Andromeda Strain away, successfully decreasing any tension.
The World: This is our world with an alien microbe that exists in our atmosphere. That’s all we’re told. It attacked humans with one strain and matter with another, and those two strains pretty much ignored each other. There wasn’t much mention of how the strain impacted humanity or space travel, and the strain was kept confidential. I was disappointed in the lack of world building here.
Nitpicks: Oh my. Here we go. I had several nitpicks with this book.
Let’s start with pov problems. Here’s a direct quote for me to nitpick:
“Putting the dream out of his mind, he focused on the brightening jungle outside. He must have felt a sense of raw anticipation. As a child raised by a daredevil scientist, he had finally, at the start of his fifth decade, found himself joining an adventure to rival his father’s.”
That first sentence allows the reader a glimpse into the character’s head. He’s putting a dream out of his mind. Okay, I can accept that. But then the second line, about how he ‘must have felt’ a sense of raw anticipation…..no. The author already allowed us into the character’s head. It’s jarring to read how the same damn character ‘must have felt’ rather than telling us how he felt. Or showing us, which would have been better all around. Point being: the phrasing felt amateurish to me.
Also, this bit: “child raised by a daredevil scientist” bugged me. All characters had descriptors like this. To me, it’s just lazy writing, like the author can’t be bothered to develop a character and instead trusts the reader will believe this description without any kind of backup activity/action/demonstration.
Next, the dialogue had a lot of exposition. On a television show, characters frequently state things that they should already know. Mostly because the medium doesn’t have time for a lot of backstory and it’s a good shorthand to get the story moving. Books, however, have the time. Sometimes I can forgive it, sometimes I can’t. I couldn’t here:
“It wouldn’t,” said Stone. “A weapon like that only works if the microparticle spreads everywhere life could possibly evolve–all over the galaxy–lingering in the upper atmosphere of any planet or moon with an atmosphere. It’s John Samuel’s Messenger Theory–one of the first ideas put fort by my father to explain the Andromeda Strain.” “Clarify,” said Vedala. “The Messenger Theory was proposed as the best, and possibly only, way to communicate…..” Stop. Just stop. Don’t authorsplain something. Find a better way of including the information from the previous book or create better dialogue so it’s not so obvious that the author wants the reader to know this bit.
Also, the bunny-hopping of time was annoying to the point that I had to forcibly tune it out by page 50. This is where the author provided new information, then went back to explain something, then back to new information, but wait let’s go back again and give old information, then new information and so on. I believe the author could have found a better, smoother way of integrating information from the original book.
Yet another nitpick was the foreshadowing. It was heavy-handed and much too frequent. Like the author was always saying, “oh look here! Look at this! Remember this part!” Very annoying. There simply wasn’t enough time to build tension before yet another dollop of foreshadowing.
Speaking of tension, there was none. At no point in the entire book did I feel like I was on the edge of my seat or wondering what was going to happen. I wasn’t invested in any character and didn’t care whether they lived or died. Even the twist was meh. Actually, the last bit of the book, when the team discovered what the mircoparticle did, was somewhat interesting. The real story began there. In my opinion, the chunk before that should have been edited harshly, then extend the battle between the space station and Earth.
Am I done with nitpicks? Oh nay nay. I felt like this book didn’t see a professional editor. An example of this was a toxin introduced on top of page 123. This toxin is used by local tribes to hunt monkeys. Then, at the bottom of page 124 it’s mentioned again and explained again that the toxin is used to hunt monkeys. I felt like the author couldn’t trust the reader to retain the information. Again, amateurish. I really wanted to throw the book at the wall over this but I just painted and I didn’t want to wreck the new coat.
On to some more nitpicking. Setting this book up as an exploration through recovered footage does not allow for describing a recurring dream of one character. The two are jarring together. The only way I could see this as a resolved issue was if we, the reader, followed the dreamer exclusively throughout the story. No head-hopping, no omniscience, just living inside this character’s head to flesh out the documents and footage. This was not the case in the book. So, so frustrating. Also, while I’m on this topic, the dream itself was reasonably relevant, but the author never addressed why this character would have this dream, why it would recur, and whether or not that recurrence was due to the microparticle or just plain luck.
Hoo boy. Here’s another one: footnotes. I don’t mind them, sometimes the information adds something to the story. Here, though, some didn’t, so why were they there? Why would the author include a footnote about the US Navy and tobacco sales? Why? Does this serve any purpose in the story? No. Was it interesting? Somewhat, but it’s complete irrelevance to the narrative made it a distraction that yanked me out of the story.
I’m almost done. Last point: don’t include pictures in the book. Just don’t. As an author it’s your job to explain something to me in a manner in which I can picture it in my mind. Am I going to picture it exactly as the author intended? No. But that’s okay. You don’t need to have a ‘recovered’ photo of a space elevator, or a diagram of the International Space Station, or a diagram explaining a fulcrum. Although, yes, this book was formatted as recovered documents, so I guess the one photo could be allowed as a piece of recovered information. The diagrams, however, were irritating and unnecessary.
Overall: I had to drag my eyes through this book. I wouldn’t have finished it if I hadn’t paid actual money for it. I’ve read other books by this author and don’t remember being quite so frustrated with the text. Maybe I was though, maybe I blocked it out. I definitely wasn’t reading with a critical eye like I do now though.
As I prepared to type this review I re-read the afterword and remembered it was a collaborative effort. My harsh, salty, last thoughts are: the book was poorly constructed, badly told, and weak in story. I expected better from this author and I don’t know if the poor result was because of collaboration or because the author lent the name to the book while it was ghostwritten by someone else.
I bought this book because my library is still closed. Don’t get me wrong, I want it to be closed because of a tiny virus making a big impact on the world, but I do prefer to borrow a book rather than buy it. I rarely read a book twice and just about never read it more than twice, so buying them seems a bit wasteful. Except they fill shelves and it’s nice to have a physical reminder of the words I’ve consumed, I suppose.
Anyway, I was glad I bought this one because I might like to read it again, now that I know how it ends. I suspect this book will reveal things to me that I didn’t see during the first read, and that I’d understand better now that I know the ending.
Forewarning to readers: this book was a bit disturbing.
The Gloss: This is a little book. Smaller than a trade paperback, larger than a pocketbook, and only 213 pages. The pages are soft, the typeface (thankfully) sharp and clear. Pleasant to hold and easy to read.
The cover is made of that nice, slightly rubberized stuff that’s popular right now. It makes the book feel like my fingers can grip it easily and without sending my fingertips into sensory overload.
There’s a fracture in the title. Nice and subtle, but there nonetheless. This is an excellent representation of the main character’s fractured personality. Not too broken, just slightly, uncomfortably, off. Well done.
I also like the image of the kinked hose. From my perspective, that image reminds me of one of the minor annoyances of life. I mean, has anyone else felt that grumbling irritation of having to unkink a hose? In addition, the kink indicates a pressure buildup, but one that’s contained. There will be no explosion, no debris scattered everywhere, just a rush of water the instant that the line is free.
The Characters: Thomas is the main character and the book is entirely from his perspective. He’s detailing his past to the reader, explaining why he did what he did, how he arrived at one particular decision.
Miriam is Thomas’ wife, Ava his daughter. Both are presented entirely as Thomas remembers them. The author maintains this perspective throughout, enough so that it’s a bit frustrating as the reader. I wanted to know things from Miriam’s pov, or even Ava’s, but I also know that additional perspective would’ve tainted the story.
There are other, tertiary characters, like his mom and sisters. The mention of his dad, but not too much. Instead, the author demonstrated the impact the father had on Thomas without Thomas saying too much about him. Enough to know that the father was abusive to the children, and that Thomas had a few of the more unpleasant traits like controlling behaviour and narcissism.
Readers do get a glimpse of Thomas in how other characters react to him. Or, more accurately, how he remembers people reacting to him. One scene describes Miriam talking to a group of people, how easy and relaxed she looked, until she saw him. Then she flinched hard as if struck. Thomas waves this away, makes excuses for what someone else might think is a hint of abusive tendencies.
The Plot: Simple and elegant. No extraneous plot lines, no plot points left without explanation.
Thomas has everything: prestigious job at an advertising firm in Manhattan, wife and daughter, and is a devoted family man. His ego is rocked and he does something horrible that he can never undo. The book details his introspection leading up to the pivotal event.
The Story: Beautifully told with rich language. Tidbits of foreshadowing are doled out just often enough to add a sense of foreboding. As a reader I was never rushed to learn something, nor ever left wondering where the tidbit led.
Thomas goes back and forth in time during his introspection but the reader is never left wondering when he’s talking about, nor are the transitions sudden or difficult.
Nitpicks: I didn’t have any. Nothing stood out as annoying or out of place. The only thing would be the near constant opera references, but those serve to highlight how Thomas views himself, so they have a solid purpose. They were abundant though, and for someone like me who knows absolutely nothing about opera, the author gave enough information that I wasn’t frustrated by the references.
Quick edit: The book has no quotation marks for dialogue. While this can be confusing, it fit well with the formatting of the story. Also, quotes weren’t required as Thomas was relating the dialogue to the reader, rather than have the characters speak for themselves, which also reflected the story well.
Overall: This book is excellent. Early on I had the sense that Thomas was an unreliable narrator, that perhaps the image he was presenting was false, but it was subtly done. Enough so that I could identify with him on several occasions, and felt bad for him.
I loved the language used, the way the author describes everything. Ani Katz is an author I’d read again regardless of content.
It took me a while to finish this book. Actually, if I’m honest, it took me a while to even start this book. There’s a lot going on in the world right now, plus I managed to get a job, so my time’s been limited.
I borrowed this one from the library because I really liked the author’s other book The Gone World. I will read any genre if I like the author, so I figured this was a sure bet.
I was wrong.
The Gloss: I like the cover art here, but I thought the book might contain elements of inter-dimensional travel or alternate worlds. It did, sort of, but not in the way expected.
Otherwise, I have nothing really to say. The typeface wasn’t remarkable, nor were the pages.
The Plot: was so confusing. The book started with a murder mystery, kind of a hard-boiled detective drama, and ended with a conspiracy….I think? I admit that I read this book in fits and starts so maybe I couldn’t hold on to the details of the plot like I would’ve if I’d read it in larger chunks. But there were several things going on and somewhere just after the middle I got lost.
What I do remember is that the plot of the person who died took a back seat to the plot of covering up other deaths. Maybe. I really need to talk about the world before continuing.
The World: People have implants in their brains called adware. This is a spiderweb-type interface that allows the user to overlay virtual reality with actual reality. This was awesome and well constructed. Pop-up ads invaded the character’s life, which absolutely would happen and would be targeted to the user.
This adware also comes in the gleaming, fantastic, expensive version and the low-end version, also very accurate to what I’d expect. Well done.
A huge part of the world is a city, Pittsburgh, that had been blown up ten years prior. The main character’s spouse and unborn child died in that explosion. With adware, the characters can visit the city any time they want. All footage is provided by an archive project to preserve what was once there. I can definitely see this happening, even at the loss of privacy to the residents.
The Characters: The story followed one, John Blaxton, as he tried to solve a murder. Everyone else was secondary with every woman being beautiful.
The Story: The cybernetics kept me reading through the confusing plot. I enjoyed the way the main character wanted to stay in the virtual world and how it affected his daily operation. I didn’t enjoy the number of times I read about how beautiful a woman was. That got pretty old.
Nitpicks: Apparently the book was written in journal style, which I didn’t know until I read a review on it. I didn’t like it. No I did not.
The author used more emdashes than I personally like to see. Every conversation was fragmented, every idea cut off. This broke the flow up for me and made it really difficult for me to follow along. Now that I know the book is supposed to be a journal it makes more sense, but the story ended up feeling discordant to me.
Overall: I was disappointed. I couldn’t follow the plot, the story kept referring back to Pittsburgh and that bugged me. Yes, the city blew up, but it didn’t need to be mentioned as much as it was. I felt like the author couldn’t trust me to remember the bombing of the city.
As for the discordant feeling, well, if I pretend like I have adware attached to my brain then I feel like I’d be interrupted often also, so there’s that. Maybe the author wanted to portray a disconnection feeling or constant interruption feeling through the body of the story. If so, then success! If not, then frustration mounted early.