After living a long life of 81 years, Wilbur dies and steps aboard the Midnight Train where he gets to see the most important parts of his life from a ghostly perspective, and he finds himself lacking.
While being wildly successful by opening bookshop after bookshop, he loses all his friends and Maggie, the woman he loved more than anyone else. It took dying for him to see this.
There are rules on the train; never try to interfere, never stick around when your alive self goes to sleep, and get on the train when it comes to collect you from the moment. Wilbur decides to toss the rules out and tries to interfere anyway, hoping to change the life he’d led.
What a treat, to be able to live life twice; once to muddle through and once with the knowledge of what will happen. I’d love this opportunity, personally. I’d love to have Future Me whisper something in my ear that will help me see the path to the most happiness and contentment in life.
The author’s narrative style is so easy to read that I was lost in this book immediately, but had to hold my envy back at not being able to change my own past. Still, I’d read the next book from Matt Haig in a heartbeat.
Tara is living in 18November, over and over again.
She goes to Paris as a routine trip to acquire some books and visit a friend, but wakes up the next morning and it’s still the eighteenth of November.
Sounds are how she marks her days. Once she realized she’s living in the same day she decides to go back home to her husband and ends up hiding in the guest room. After all, explaining to him, over and over, that she’s had over a hundred of the same day, becomes untenable.
Any time loop book will get my attention, and this one was well presented. The same information is given – the same elements to her day – and done in a way that both feels repetitious as Tara feels it and fresh because the perspective on the information is slightly different.
The novel doesn’t tie things up in the end. There’s a cliffhanger ending which I didn’t really like, but there are also six more volumes in the series to read, should I chose to do so.
I found Tara’s musings interesting, the novel is presented as journal entries mostly, but was frustrated by a few things like, why didn’t she explore more? Why stay confined to a room? Why go back home after only one or two days in Paris that repeat? But I guess that’s not what the character would do.
While the novel was interesting, it was frustrating enough that I may not read the other volumes. I just got too annoyed that Tara sat around and waited instead of deciding to just live the day.
Julia, a video game streamer when not bogged down by working two shitty jobs, is offered a job by her mother, the CFO of the biggest tech company around. Initially Julia doesn’t want to do the job, if for no other reason than to piss off her mom, but the pay is amazing and it’s only for a day.
The job; piloting a brain-dead man onto two airplanes to get him to the east coast where he can reunite with his mother and die in a right-to-die state. Julia is assured that the man is not conscious and not aware. Julia thinks of this as a Weekend at Bernie’s kind of scenario and nicknames the man Bernie. She’s given a controller that resembles a phone, brief training on how to make Bernie move, and is sent to the airport with two of her mom’s coworkers to get the first leg of the journey done.
Except he is, sort of.
The novel starts inside Bernie’s head, with muddled thoughts and weird imagery, then flips to Julie, going back and forth and telling the transport story from both points of view. The author does an amazing job of creating a warped reality for Bernie while keeping Julie in the present, or near-present, day.
Bernie, whose real name is Art, is revealed slowly; his distant past with his best friend Isabel, his desire to quit his job and move across the country, the horrible weight he carried from an event in his childhood.
Julia meets Lisa on the second plane and confides some of what she’s doing, despite having signed an NDA. Lisa is a reporter who wants to stop this tech company at all costs. They develop a kind of friendship and Lisa helps Julia navigate Bernie/Art when they arrive at their destination city.
The novel had two interesting things that might throw off AI scraping. The first is the insertion of two interludes. Most novels don’t have these, so they won’t jive with other novels AI has scraped. The interludes also serve a purpose to the story; to make the reader question who, exactly, is telling the story and why.
The second is how the text is presented. There are lines of text surrounded by boxes, boxed text overlaid on fainter text, and entire pages with only three words inside a box. Clever.
While I felt like the author swallowed a thesaurus and spit out bits of it on the page, once I got to the end I understood why. But honestly, some of the words made me grow new wrinkles in my brain.
The novel will stick with me for a while, both because of the way the story is told and the overall structure of the novel itself.
Auditor has risen in the ranks since appearing in the first novel, Hench. Instead of a lowly office worker, she now heads an entire department of evildoers and henchpeople. This new position comes with benefits – like knowing Leviathan is alive when the world thinks he’s dead – and problems, like losing friendships and managing staff.
A budding romance grows between Auditor and Leviathan, something merely hinted at in the previous novel. This romance isn’t unexpected but is fraught with trust issues and, for Auditor, walking on eggshells so as not to be the cause of misunderstanding.
Auditor’s friends drop off her radar as well, something she barely notices is happening until the damage is done.
Having said that, the author was true to Auditor’s character. Auditor behaved as an antagonist throughout and while she didn’t love every decision she had to make, she made them the way the reader would expect.
The narrative style is stuffed with information, as if Auditor is telling the story and filling in all the details so the listener/reader has a clear picture of what’s going on. This meant some information was repeated too often for my liking, but at least was presented well.
Two nitpicky things: when Auditor is meeting with Menachem, the latter orders a neon-pink cocktail and a few pages later the liquid is green. A little farther on, ‘too’ is used when ‘to’ should be there. Get on it, editors.
The world is ending. A massive black hole has come into our galaxy and is gobbling everything up. There’s no hope for survival.
A month before the world ends, husbands Rodney and Don decide to go on a road trip. They have something they want to do before the earth cracks and the black hole takes everything.
The road trip is heartbreaking, both in hindsight when the reader knows what the husbands are trying to do and as it’s happening because of some of the people they encounter along the way.
This novella packs a punch. The author does a wonderful job of capturing nostalgia, wistfulness, and profound loss. I was frustrated a bit, wondering what was in the box that they carried so reverently to their final destination, but the story got to it all in good time.
The story is also about love – the good and bad of it – and is a sweet love letter to the elder gay men, who watched their friends die while they got the chance to grow old.
Adora Hazzard studied Stoicism and lends her teachings to a wealthy family; a husband who lost a limb and is partially paralyzed and his twin children. Through this job she meets Digby, falls in love, and is involved in an international art recovery.
I felt misled with the novel. It started with Adora wanting to create a coven of women, all living on the same floor in her swanky building, the Ansonia. This, to me, would have been an excellent book. Women developing a network of pooled income, resource sharing, and companionship as they age.
Instead, the book takes a turn and the Adora of the first third doesn’t seem to be the same Adora as the second third. In the first one, I’d actually questioned whether she was some kind of God or alien (I resolutely didn’t read the dust cover before beginning, instead I like to see where the narrative takes me) who just looks like this woman. But in the second third we get a glimpse of her life thirty years ago with events that led her to study philosophy.
While engaging – the narrative does move things along nicely – I kept wanting to know more about this coven. But it was as if the author just wanted to make Adora look like she wanted a network of women but would abandon the whole thing for a man who made her knees weak.
Not a bad novel, it was entertaining enough, but frustrating because I really would like to read something about women forming a community like a coven.
Annie’s sister was supposed to be on the cruise with her, but had to bail at the last moment. The band Boy Talk was headlining the cruise, a band both Annie and her sister fawned over as teens, and Annie was going for her sister more than for herself. She’d long ago discarded the screaming fandom and teen lust of boy bands but was determined to try to enjoy herself while on the cruise.
It doesn’t help that her boss calls her and tells her that the intern, young enough to be Annie’s daughter, is now her boss.
While this is happening, Keith is having a hard time drumming up any enthusiasm for the cruise. As one of the members of Boy Talk, he’d been doing these cruises and one-off concerts for years. The pay was good and it helped him feel like he was supporting his brother, also a member of Boy Talk, and the other members of the band.
Keith’s personal life isn’t rosy, he hates boats, and he just wants his brother’s affection, something that’s perpetually out of reach.
Organizing the band and cruise is Sarah. She’s done several cruises with different bands and knew how to get each member where they needed to be and how to keep them happy while confined to the ship.
The three lives intersect near the end. Keith ends up having a bit of a breakdown, Annie comes to terms with her new work situation and develops a plan, Sarah looks forward to wrapping up the whole experience and moving on.
The novel is written well enough that I was engrossed. It helped that Annie is 50 and at a stage in her life where she can see and appreciate her past and has the opportunity to create a new future for herself. The juxtaposition of having a cruise full of women dressing as they did in their teens, loving a boy band from their teens, and going full-on fanatical when the band is around and Annie struggling to snap out of stasis and move forward was interesting and well executed.
Overall I really enjoyed the novel. It was a nice dive into the mind of a middle-aged woman who is hesitant at first to move on, but gains confidence as she experiences all that the cruise has to offer.
This novel is about depression, death, suicide, and life. There is a trigger warning right at the beginning of the novel, which was a delightful thing to see. More of that, please.
Vicky is obsessed with death; she works as a copywriter for a death planning company, lives above a funeral home, and collects zhizha whenever she can.
In an effort to live, she scrolls through a dating app and finds a couple that she likes. They hit it off immediately and Vicky now has a co-conspirator in depression; Angela. Vicky can talk about death with someone who also has some firm beliefs about it. Vicky’s best friend, only friend, Jen, is more upbeat but has also suffered with depression.
The novel shows the different kinds of depression; from the depths of chronic depression to the sharpness of acute depression to the dullness of seasonal depression. There’s no shying away from death here, instead it’s a reflection of life in that it shows that all things must come to an end.
While the theme is dark, the characters are very human and compelling. Definitely not a read for everyone, though.
I realized it’s been a while since I posted anything – I didn’t drop off the face of the Earth, I just haven’t actually finished a book in a while. I’ve started a few but didn’t finish them, mostly because they took too long to get to the plot, were too hard to read because of the font, or just written in a way that made it hard for me to follow the story.
Nevertheless, I always have a book on the go, so the next one I finish will get a review 🙂
Absolutely none of the characters in this book are likeable, but they are compelling.
This book of short stories centres around the theme of rejection, but also, I think, what it’s like to be in an echo chamber. The characters are each absorbed by the internet, they’ve become so attached to a tunnel-vision view of their lives that they seem unable to function in the world as a whole.
The stories are cross-referenced with each other, some of them show up as little cameos in the stories of others, which provides a really interesting view on the difference of how a character thinks of themselves compared to what someone else thinks of them.
The author does a magnificent job in characterization. Each character felt so real, I felt like I knew these people – warts and all – intimately. Also, in one story, the author gives a fantastic definition of the difference between shame and embarrassment.
While this collection of stories is a bit depressing, I’d read the author’s work again. This one will stick with me for a while, and make me want to get away from screens.
